During the second half of the 1960s, Engelbert Humperdinck successfully bucked the current of pop/rock groups, singing romantic ballads that employed rock instrumentation along with strings to update the sound of the pre-rock classic pop singers he resembled. His third album, A Man Without Love, was rushed out in the wake of success from its title song, his fifth consecutive Top 40 hit, and it went gold and stayed in the charts for more than a year. (The compromise he represented was well depicted in the cover photo -- he had sideburns down to his jaw, but wore a tuxedo.) Typically, for an album cut to take advantage of a hot single, it was a collection of recent standards to which the singer could give his patented treatment. "Spanish Eyes," "A Man and a Woman," and "Quando, Quando, Quando," all share the European style of his hits, while "Up, Up and Away" and "By the Time I Get to Phoenix," both written by Jimmy Webb, are songs he handles well. There are no other Humperdinck hits beyond the title song, but the album is a consistent effort all the same.
The album is a combination of both the US and UK versions of the 1982 compilation 20 Greatest Hits, with the addition of "Something" (which was left off 20 Greatest Hits because of time constraints).[citation needed] On 1, "Hey Jude" was included in its original full-length version (slightly over seven minutes), whereas the American version of 20 Greatest Hits contained a shortened version.
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The songs on 1 were remastered specifically for the release in 2000. According to the liner notes of the album, the original analogue masters were "digitally remastered at 24 bits resolution, processed using Sonic Solutions NoNoise technology and mastered to 16-bit using Prism SNS Noise Shaping". The remastering was overseen by Peter Mew of Abbey Road Studios and took place there.[8] In 2011, 1 was remastered and reissued on CD. In 2015 it was remastered again and remixed by Giles Martin; when Martin began to assist with fixing up the audio tracks for the 1+ video clips, he realised that his goal of making them "more immersive" should also apply to 1.[9] For the remixing project, Martin commented: "The remasters went back to these final mix tapes and remastered them. They cleaned them up and then they EQ-ed them and released them. What we're doing is remixing. We're going not to the final mix, we're creating our own mixes."[9] About his remixing approach, Martin said: "My approach was to be respectful of everything, I had sessions and sessions where I flipped between previously remastered stereos, the mono remasters, and the remixes we've done. I flip between everything and make sure I prefer what we've done."[9]
The LP and cassette keep the main art of the CD version, but in a different form.[10] The double vinyl record version was not released in the US, but the imported British edition was available. The vinyl version features a large full-colour fold-out poster showing 126 picture sleeves (37 fewer than on the CD), and reproductions of the four Richard Avedon photos. The Avedon portraits also appear on the inside of the gate-fold cover. The records have custom labels featuring the same graphics as the front cover and are packaged in custom inner sleeves. The deluxe packaging of the vinyl album, with its four portraits and poster, is reminiscent to that of their titular 1968 album. The cassette included a 20-page insert, including the collage, the George Martin commentary and paged Avedon's portraits on its inlay and the whole description for the tracks as a total of 36 covers on its inlay reverse.
On 6 November 2015, Apple Records released a deluxe version of the original album, titled 1+. Most of the tracks on 1 have been remixed from the original multi-track masters by Giles Martin, except the first three tracks, which are the original mono mixes. In addition to the new mixes, there are surround sound 5.1 mixes presented as Dolby TrueHD and DTS-HD Master Audio in the Blu-ray version and Dolby Digital and DTS in the DVD version.
1 received universal acclaim. Stephen Thomas Erlewine of AllMusic gave the album five stars out of five. He stated that there is "no question that this is all great music", although to him "there's really no reason for anyone who owns all the records to get this too".[13]
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